Director: Silver Tree
Three households, one crumbling Spanish-style villa in Los Angeles, and enough secrets to fill an open house — No Good Deed turns a real-estate bidding war into a dark comedy about the lies people tell to get what they want.
What is No Good Deed about?
The eight-episode comedy follows a married couple ready to sell their beloved 1920s home after a family tragedy, only to find that every prospective buyer arrives with a hidden agenda of their own. As offers escalate and open houses turn into psychological battlegrounds, three very different families circle the same property, each convinced this one purchase will finally fix a marriage, a career, or a life that has quietly come apart.
Cast & crew
Ray Romano and Lisa Kudrow anchor the show as the sellers, playing grief and dark humor in the same breath, while Linda Cardellini, Luke Wilson, Teyonah Parris, and Abbi Jacobson round out the competing buyers with performances that lean into comic desperation. Denis Leary and Poppy Liu fill out a supporting cast built for quick, overlapping banter rather than a single lead.
Context & significance
Built around an ensemble rather than a single protagonist, the series belongs to a wave of half-hour comedies that use a real-estate premise as a lens on class anxiety, marriage, and reinvention in present-day Los Angeles. Its structure — jumping between households instead of following one family in sequence — lets each subplot land its own punchline before the mystery threading through the season pulls the families back together. Open-house tours, inspection reports, and rival offers become running gags rather than mere plot mechanics, and the tone stays light even as each household's private crisis gets steadily more exposed.
Where & how to watch
The series streams on K-Time with Persian dubbing and Persian subtitles, so viewers can follow the overlapping storylines in Farsi without losing the comic timing. A free K-Time account is all that's needed to start watching; the film page itself is open to browse without logging in, and the Farsi-first interface makes it easy for the diaspora audience to jump straight into an episode.