One house, one buried secret, eight decades. Khaneh Pedari (The Paternal House), directed by Kianoush Ayari, compresses nearly a century of Iranian family history into the rooms and cellar of a single old Tehran home — and became one of the most famously delayed releases in modern Iranian cinema along the way.
What is Khaneh Pedari about?
The story opens in the 1920s, when a father and his young son commit an act of violence inside the family home and conceal what happened beneath its floor. Rather than following one protagonist, the film then moves forward in long chapters — through the 1940s, the 1970s, and onward toward the present — watching new generations of the same family live, marry, argue, and work in the carpet workshop above that hidden ground. Each era brings new women into the house and new attitudes with them, while the weight of what the walls remember refuses to stay buried. The house itself, patched and repainted era after era, ends up as the film's true central character.
About the cast
Mehdi Hashemi anchors the film's earliest and most harrowing chapter, playing the patriarch whose choice sets everything in motion. Shahab Hosseini — internationally recognised for his award-winning collaborations with Asghar Farhadi — appears in a later generation, and Mehran Rajabi, one of the most familiar character actors in Iranian film and television, fills out a large ensemble that changes almost completely from chapter to chapter.
Context & significance
Ayari, director of acclaimed realist works such as Abadani-ha, shot Khaneh Pedari in 2012, but Iranian audiences had to wait: after a brief restricted screening in 2014 was halted, the film only received a proper public release in 2019, seven years after completion. That long shelf life turned it into a cause célèbre among critics and cinephiles. It runs 97 minutes and has met a solid, unshowy reception internationally, with its reputation inside Iran considerably stronger than that reading suggests.
Watching Khaneh Pedari on K-Time
K-Time streams Khaneh Pedari in its original Persian for viewers across the diaspora. This page is open to everyone; watching simply requires logging in with a K-Time account. With its Farsi interface and Iranian-cinema library, K-Time suits a film many Iranians abroad heard about for years before they could see it.