Some couples split cleanly. Ezgi and Memet did not — they broke up, then discovered the one habit they can't quite give up is walking together.

What is 10 Bin Adim about?

The Turkish comedy-drama follows the two exes as they set themselves a simple daily goal: ten thousand steps, walked side by side, no matter what else is going on between them. Each short episode catches the pair on one more walk, where old arguments resurface, new tension creeps in, and the routine becomes an odd kind of therapy neither of them asked for. The format keeps things brisk — episodes run about a dozen minutes — so the show moves through small, specific moments rather than sprawling plot arcs. What holds it together is the mismatch between what Ezgi and Memet say to each other and what the daily walk keeps forcing them to admit.

About the cast

Engin Günaydın and Devin Özgür Çınar carry nearly every scene as the on-again, off-again pair, playing the push and pull between exasperation and affection without leaning on melodrama. Director Duygu Güzelmeriç keeps the camera close and the pacing tight, treating each walk as its own contained scene rather than filler between bigger episodes.

Context & significance

10 Bin Adım arrived in 2021 as part of a wave of short-form Turkish series built around a single recurring premise rather than a sprawling ensemble, a format that trades scale for repetition and character detail. Setting the entire show on foot, moving through ordinary streets and parks, gives it a low-key, observational tone that stands apart from the more heightened Turkish dramas that dominate the same catalogue. The gimmick of counting steps also gives each episode a built-in clock, so scenes end when the walk does rather than at an arbitrary cliffhanger.

Watching 10 Bin Adim on Ktime

10 Bin Adım streams on K-Time with Persian dubbing and Persian subtitles, so viewers can follow either the Turkish performances with Farsi text or a fully dubbed Farsi track. Watching requires a free K-Time account; the show itself, like the rest of the catalogue, is presented through a Farsi-first interface built for Persian-speaking audiences wherever they are.