Sergei Fedorov, Viacheslav Fetisov, Vladimir Konstantinov, Vyacheslav Kozlov and Igor Larionov each left the Soviet hockey system to play in Detroit, helping push the Red Wings to two Stanley Cup titles. Joshua Riehl's documentary tells how the team pursued and built around them, running 109 minutes as a 2018 sports documentary from the United States.
What is The Russian Five about?
The film reconstructs how Detroit's front office worked to bring five Soviet-trained players onto one NHL roster, a pursuit complicated by how hard it was for a player to leave the Soviet system at all; Fedorov and Konstantinov both left the country at night. Once assembled, the five anchored a run built on coach Bowman's choice to play all five together as a unit, a hard-fought rivalry with the Colorado Avalanche, and the 1996-97 championship season. The film does not look away from what followed: a limousine accident in the aftermath of that title run left Konstantinov and team masseur Sergei Mnatsakanov seriously injured.
About the cast
The five players at the heart of the story are Sergei Fedorov, Viacheslav Fetisov, Vladimir Konstantinov, Vyacheslav Kozlov and Igor Larionov. Jeff Daniels, Jim Devellano and Wayne Gretzky also feature, adding perspective from outside that core group. Joshua Riehl directs, working in the archival, fact-driven mode typical of a sports documentary rather than staging dramatised scenes.
Context & significance
The film sits inside a run of hockey documentaries revisiting how Soviet-trained players reshaped North American leagues once emigration became possible, using Detroit's pursuit of these five as a case study. It follows the team from recruitment through two Stanley Cup titles and a bitter rivalry-era stretch against the Colorado Avalanche. Filed under Documentary and Sports at 109 minutes, it is catalogued as a 2018 release, distinct from any dramatised retelling.
Watching The Russian Five on Ktime
Reading this page requires no account; watching the film itself does, with a free K-Time login needed before playback starts. No Persian dub or subtitle track is attached, so the film plays in its original English throughout. K-Time's Farsi interface still wraps around browsing for this page, keeping the surrounding experience in Persian even while the documentary's own dialogue stays in English.