Canadian drama Invisibles reaches K-Time carrying genre tags that stretch across biography, drama, historical and war, directed by Junna Chif and led by a Montreal-rooted ensemble.
What is Invisibles about?
Invisibles is a 2026 Canadian production, and the credited genre spread — biography sitting alongside historical and war material — signals a story built around people whose experiences were pushed to the margins of official record. Nadia Essadiqi and Floyd Lapierre-Poupart head a cast that also includes Stéphane Crête, Catherine Bérubé, Victor Andres Trelles Turgeon, Patrick Desjardins, Tatiana Zinga Botao and Juliette Pottier Plaziat. Because K-Time's catalogue notes for this title show two differing plot summaries pulled from two separate sources, this page keeps to the facts the credits themselves support rather than committing to a single account of the plot.
About the cast
Invisibles carries a full Quebec ensemble: Nadia Essadiqi, Floyd Lapierre-Poupart, Stéphane Crête, Catherine Bérubé, Victor Andres Trelles Turgeon, Patrick Desjardins, Tatiana Zinga Botao and Juliette Pottier Plaziat all feature. With eight named performers spread across a ninety-five-minute runtime, this is an ensemble piece rather than a two-hander, and the brief available here does not map any individual actor to a specific character.
Context & significance
The film's genre labels place it at the intersection of biography and war-era historical drama, a combination Quebec cinema has returned to more than once when dealing with hidden or overlooked lives. Junna Chif directs, and the ninety-five-minute length keeps the film in feature territory without stretching toward an epic runtime. Viewers drawn to Canadian historical drama with an ensemble cast will find the shape of the film familiar even before the specific plot details come into focus.
Watching Invisibles on Ktime
Invisibles is available on K-Time with a free account login, and there is no charge to browse the page itself. Both a Persian dub and Persian subtitles are provided, so K-Time's largely Persian-speaking, diaspora-facing audience can follow the historical and biographical threads of the film without depending on the original French-language track. The Farsi-first interface makes toggling subtitles on or off straightforward from the same viewing screen.