Two knives, a hundred years of silence, and a quarrel that refuses to stay buried — Movajehe (2006) is Saeed Ebrahimifar's brooding drama built on the thought that objects outlast the people who carry them.

What is Movajehe about?

A century after their first encounter, two blades find their way back into opposing hands, and with them an old, unfinished feud returns to the present. Ebrahimifar traces how an inheritance of steel binds strangers to a conflict they never chose, following the knives as they pass between generations and pull their new owners toward a reckoning. The question the drama keeps turning over is simple and unsettling: can the people holding these weapons today finish the story their ancestors started, or will the objects themselves insist on another chapter? Compact at 78 minutes, the film moves between what happened a hundred years ago and what is happening now, letting the weight of the old grievance settle over its modern characters until confrontation — the movajehe of the title — becomes unavoidable.

About the cast

A deliberately small ensemble carries the drama: Hamid Reza Pegah takes the lead, with Setareh Eskandari and Maryam Moghadam completing the central trio. The tight cast suits a chamber piece in which the objects on screen hold as much history as the people passing them along.

Context & significance

Saeed Ebrahimifar is best remembered for Nar-o-Ney, one of the most visually striking Iranian films of the late 1980s, and a poet's interest in memory, images and objects runs through his later work. Movajehe carries that preoccupation into the shape of a generational feud story, where a physical thing becomes the vessel of an old wound. Released in 2006 as a drama, the film runs a lean 78 minutes and drew a mixed reception from viewers.

Watching Movajehe on K-Time

Movajehe is available on K-Time: this page is free to read for everyone, and a quick login with a free account starts playback. K-Time's Persian-language experience was made for the Iranian diaspora, which is exactly why lesser-circulated titles from directors like Ebrahimifar stay easy to find and stream.