Nowruze Rangi opens in the last days of Esfand, the run-up to the Iranian New Year, inside a Mashhad household scrambling through the rituals that come with it. Alireza Masoudi both directs and appears on screen, steering a comedy built around a family's chaotic countdown to Nowruz.

What is Nowruze Rangi about?

Set in one of the years of Iran's 1360s decade, the series follows the small emergencies that pile up as a family in the holy city of Mashhad readies itself for the new year: shopping runs that go sideways, house-cleaning that never quite finishes, and relatives whose visits arrive at the worst possible moment. Rather than one continuous plot, the show leans on the rhythm of the holiday itself, letting each episode wring comedy out of a tradition most Iranian households recognize instantly, from haft-sin preparations to the etiquette of new-year calls.

About the cast

Yousef Teymouri, Shahram Ghaedi, Javad Khaajavi and Mahan Abdi round out an ensemble built for comic timing rather than a single lead, trading scenes as the household's competing personalities collide over chores and guests. Alireza Masoudi's double role as director and cast member gives the show a consistent comic voice scene to scene, and the ensemble's familiarity with broad family comedy carries much of the series' energy.

Context & significance

Nowruze Rangi belongs to a small but steady genre on Iranian television: the pre-holiday family comedy, timed to air as viewers themselves are cleaning house and buying sabzi for their own haft-sin. Mashhad's setting gives the show a specific texture, folding the routines of a major religious city into a holiday that predates it by millennia. For diaspora viewers, the series works as a fond, exaggerated mirror of a ritual many grew up with, translated into 45-minute episodes built around one family's very ordinary, very funny scramble toward the new year.

Watching Nowruze Rangi on Ktime

K-Time streams Nowruze Rangi with a free account login, and no subscription is needed to browse the page itself. The platform's Farsi-first interface makes it easy for viewers in the diaspora to find seasonal Iranian comedies like this one alongside the rest of the catalog, without hunting through menus built for another audience.