High school comedy collides with supernatural horror in this sequel, which follows Cole as he tries to move past a nightmare year, only to find that his tormentors are not finished with him.

What is The Babysitter: Killer Queen about?

Two years removed from the events that upended his childhood, Cole is doing his best to look and act like an ordinary teenager. Trouble finds him anyway: figures from his past resurface, and this reluctant survivor gets pulled back into a fight against unrelenting supernatural forces determined to finish what they started. The result mixes teen-comedy rhythms with over-the-top set pieces, aiming for laughs alongside its scares rather than a straight-faced horror tone.

About the cast

Judah Lewis returns as Cole, joined by Jenna Ortega, Robbie Amell, Emily Alyn Lind, Andrew Bachelor, Bella Thorne, Hana Mae Lee and Ken Marino in an ensemble that leans into the franchise's blend of humor and gore.

Context & significance

Directed by McG, the film continues a horror-comedy franchise built around exaggerated set pieces and quick, sarcastic dialogue rather than a slow build of dread. Released in 2020, it belongs to a run of studio titles that treat the babysitter-horror premise as a springboard for broad comedy, positioning itself as a louder, larger-scale follow-up to the story that introduced these characters. Its runtime of 101 minutes gives it room for several distinct action-comedy set pieces rather than a single sustained climax, and the expanded ensemble around Cole widens the cast of allies and threats well beyond the first installment's smaller circle. The country of origin, the United States, places it firmly within a mainstream teen-horror tradition that leans on genre-savvy humor as much as scares.

Watching The Babysitter: Killer Queen on Ktime

The film streams on K-Time with a free account login, and no purchase is needed to browse the wider catalogue. Persian dubbing and Persian subtitles are both available, making it easy for Farsi-speaking viewers to follow the fast dialogue and comedic timing without missing a beat, through an interface built around the Farsi viewing experience. Viewers who prefer subtitles over dubbed audio can switch between the two without losing any of the film's rapid-fire jokes.