Philippe Asmar's Le Prince Oublie is an eighteen-minute Lebanese production from 2021, filed on K-Time under the crime and drama genres.

What is Le Prince Oublie about?

At under twenty minutes, this is a short-form entry rather than a feature, and K-Time's own listing does not carry a reliable scene-by-scene account of its story — so this page sticks to what can be confirmed: format, country, genre and credited names. Produced in Lebanon and directed by Philippe Asmar, the short sits in the crime and drama space and, given its length, likely favors a single tight situation over a multi-strand plot. Readers looking for a complete synopsis should treat the runtime itself as the clue: eighteen minutes leaves room for one turn, not several.

About the cast

The credited cast — Kosai Khauli, Nadine Njeim, Hussein Mokadem, Carmen Lebbos and Ramy Ayash — is the same ensemble billed on Philippe Asmar's other 2021 work in K-Time's catalogue, suggesting a shared production period rather than a shared plot. Carmen Lebbos brings the deepest résumé of the group across Lebanese and regional film, and her billing alongside four other established names points to a short built on ensemble chemistry rather than a solo star turn.

Context & significance

Short-form crime and drama pieces have a long-standing place in Lebanese and wider Arabic-language production, often serving as calling cards for directors moving between festival work and longer commissions. Asmar's choice to shoot Le Prince Oublie at this length, with a cast otherwise seen in his fuller-length work from the same year, fits that pattern. For viewers exploring K-Time's Lebanese and Arabic-language selection, it offers a quick, self-contained alternative to the longer crime dramas in the same catalogue section.

Watching Le Prince Oublie on Ktime

Le Prince Oublie is available on K-Time with a free account login; the page itself costs nothing to read, and watching needs only a sign-in. K-Time's Farsi interface sits alongside its Arabic-language catalogue, making it straightforward for Persian-speaking viewers abroad to find shorts like this one next to longer titles from the same director.