Tehran, 1916. The First World War has pressed in on a city that never asked for it, and in the back rooms of the capital a small circle of men decides that someone has to answer for what is being bargained away.
What is Komiteye Mojazat about?
Authority in the capital has come apart, and loyalty has acquired a market price. Unwilling to wait for a court that will never convene, a group of patriots constitutes itself as a punishment committee: a body that names those it holds responsible for betraying the country, then carries out its own sentences. Abolfath Mirza presides over the deliberations; Reza Tofangchi becomes the hand that acts on them. The film moves between drawing rooms and narrow alleys, between the ceremony of argument and the plainness of a loaded pistol.
The K-Time take
Hatami stages this as a chamber piece with a war going on outside its windows, and the choice pays off. Dialogue carries most of the weight, in a formal and deliberately literary Persian that treats speech as an act with consequences — exactly right for a story about men who talk their way toward violence. The production favours texture over spectacle: lamplight, wool, tobacco smoke, rooms that feel lived in rather than dressed. Anyone arriving purely for the tempo of a period thriller may find the rhythm patient; anyone who stays gets something scarcer, a film willing to let its own protagonists become uncomfortable to watch.
About the cast
The cast reads as a roll call of the Iranian screen's senior generation: Jamshid Mashayekhi, Ali Nasirian and Mohamad Ali Keshavarz, performers familiar to audiences long before this production. Much of the pleasure lies in watching actors of that standing trade a scene between them rather than compete to dominate it.
Context & significance
The setting does real work. Placing the story in 1916 puts it inside the stretch when the First World War reached Iranian soil, foreign forces operated inside the country, and central authority was badly weakened — a period Iranian audiences still read as formative rather than distant. Catalogued as history as much as action, the ninety-seven-minute film is a sound entry point for anyone curious about how Iranian cinema of the 1990s approached the early twentieth century.
Watching Komiteye Mojazat on K-Time
The page you are reading is free, and playback needs nothing more than a K-Time account login. The Farsi interface runs end to end across phone, browser, Android TV and smart-TV clients. No separate Persian dub or subtitle track is listed here; it plays in its original Persian audio.